Start All, Rage Not

Ooh, Allegra Stratton—damn my Spectator

subscription—you’ve just been re-distributed 

by No 10—you’re no longer gonna

be first lady of the blue room presser—tidying up

the PM’s ‘ums’ and ‘aahs’…and those cute

page stickies stuck inside your power file

are now just a colourful accessory

signifying nothing…

Shame that poison chalice slipped betwixt

cup and lip–your bespokes for a clown

prenatally muted—wow!

Would it be impertinent for me to say

the wave of schadenfreude currently

oozing from your journo ex-buddies

is Andante con molto in key

of C sharp?

**

Start All, Rage Not

The Statue

Although he did not condone the toppling of the statue of Edward Colston (17thc slave trader and local philanthropist) the act ‘was a piece of historical poetry’ according to Bristol mayor, Marvin Rees, in an interview with ‘The Guardian’ on June 13th, 2020.

colston-statue-retrieve
photo: BCC/PA (edited)

They don’t think much of your history,
the local partisans have punked
you over for posterity,
painted your fine calves blue,
and scrawled your guilty countenance
a livid red. Your toppling was
long overdue from that high pedestal.

You looked down on the mob
as they came for you with improvised
ropes to harness your shoulders,
pulling you to the ground,
rolling you towards the dock,
free trade style
where they dropped
you into the harbour at a jaunty
angle—the way your own slave ships
consigned the dead and near-expired
to the oblivious ocean.

Next day, a salvage crew in hi-vis
erected a gallows to haul you out,
and you emerged
a model despot—strung up,
heels lashed—gently swinging,
filthy waters pouring
from die cast pockets,
a strand of umbilical rope
still twisted around your neck,
no need to breathe, no sinews crushed,
you have become the gargoyle
of a spectacle they all want
to subscribe to,
your hollow form muzzle-loaded,
ironclad—adorned
by a discarded bicycle tyre,
hitching a lift on broken coat tails,
its bleak heraldry
returning your name to zero.

**

 

The Statue

Confirmed Case

A very slight revision of a response poem written 10 days into Lockdown as a contribution to Poetry Month in April.

photo (c) the author, taken in sometime in early March, 2020.

I am a confirmed case
of poetry incomplete,
still wintering,
while the birds out there
are chirping,
way ahead of the curve,
perched on their high branches
notched with data points,
blithely unaware that all
human life beneath
has been reduced to
a series of spaced out pegs,
from front door to supermarket aisle.

My raison d’être
has dwindled from day to day,
to reflect a garden
gnome state lichened
by grief for those imperfect
lost normalities,
all tender hopes thrown
upon the compost heap
of the unplanted.

And what that exactly means
hasn’t quite sunk in yet.

The buses that rule our avenue,
keep to a circumscribed timetable,
ploughing a primrose path
in each direction,
their skeletal insides rattling,
we do not know who or what
they are carrying.

Perhaps one day,
when I’m in dire need
of extracorporeal inspiration,
they will be deployed
in droves to ferry
my poetic form,
each word wrapped
in cloudy polythene,
towards that triage bed 
nested inside a numbered
cubicle not of my choosing,
in that vast warehouse
fitted out for a Scutari death,
at the end of a very long road.

**

Confirmed Case

Ghosted

Space Station. Norbert Kowalczyk/Unsplash.

A poem from 2018.

**


You are my Tiangong-One,
a lost ship of science, adrift in radio silence,
beyond the reach of any mission control,
an old piece of space junk with a mind of its own,
dancing the last celestial waltz,
and I dread the approaching zero hours,
when you’ll be spat out like a plum stone
from the greedy atmosphere,
a weary prodigal in guise of a comet,
crashing to earth.

**

source: Wikimedia Commons
Ghosted

Signs and Signals

 

I wonder exactly where
we’re heading,
if it’s safe to cross,
but everything feels skewed
and the perspective can’t be judged,
I need a straight answer
from the Many-Eyed God
of Provisional Road Safety,
but he prefers to keep me guessing,
saying with a glinty laugh,
don’t be so pedestrian,
you’re missing a golden opportunity
to jay walk — take it!
And perhaps I’ll come a cropper,
but it’s all par for the course,
because we no longer abide
by other people’s rules,
we are free to breathe in the fumes
of history on impulse,
while dodging oncoming traffic,
after all, our forebears
were perfectly happy
to be dug in surrounded
by spiked helmets
and explosive special effects,
that didn’t stop them
from bringing home the piping-hot
pyrrhic glory in time for tea.
This period of mild transition
means we can relive
a past that never existed,
when the only crimes were cosy ones
committed by Agatha Christie,
and everything was
in lovely black and white.

Don’t wait for the green light,
he says, red is standing to attention
singing ‘Nearer my God to Thee’,
so when you do step out,
you don’t even need to look
where you’re going,
everything is clearly marked,
just follow the clown hats in orange.
They say our progress
will be turbo-charged to perfection,
employing only the best
slummers and hawkers
in the highest echelons,
building fantasy bridges
just for us — because we aren’t
the type to labour
over details.

We may seem like mice
squabbling over a crumb
on the deserted night platform,
but a richer future
awaits us — just think of
an admiral butterfly
with patriotic wings,
perhaps easy prey for predators,
but let’s be confident
of making good headway,
whatever the wildlife.
So put your best foot forward,
and if you do fall under a bus,
or become a casualty
of some white van drama,
remember those superior powers
vested in me— by all that dark
money — and please don’t worry,
should these lights ever
go on the blink,
be secure in the knowledge
that you can always rely
on a back-dated cheque
sent with love,
from Mustique.

**

(slightly revised version of poem originally published last month in ‘No Crime in Rhymin’ on Medium.com)

Signs and Signals

An Ocean of Trouble

 

 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Abundance is there for the taking,
and we are in deep,
twirling with the planktonic flagellae
wafted by the frills of mighty sea slugs
as they retreat towards the abyssal plain,
lips fastened to vestigal truths,
while starry-eyed shoals in pursuit of elusive riches
weave in and out of loamy loopholes,
without brushing the sides of conscience,
that old dredger.

We scavenged the bones
of the old monsters
as they slept in the shallows,
shaped them into hallowed vaults
where all the drowned hopes congregate
and uncertainty lies half-buried
with the spoils of a fabled romance
that broke apart on its maiden voyage.

Stinking of yesterday’s catch,
we cast our tangled nets over the side,
wary of any submarine narratives
that may approach beneath the turquoise,
schooling the dogfish
to warn others of trouble
if they swim out of line or attempt
to disturb the polyps that form our coral.

Responsibility has been out-sourced
on this voyage of discovery,
steering by whipstaff,
after regret has been scuppered,
while the dreck of old arguments
drifts further away from us,
to become a problem
for someone else to solve,
because we are too busy pandering
to the vanity of big ships as they scrape
against our heritage coast.

We have no need of the stars to guide us,
as our reach will be fathomless,
chasing the bubble
through the debris fields of misfortune,
far richer in resources than the obsolete reef,
our collective hubris enough
to barnacle those damaged hulls,
harness the sea horses,
re-align the oyster beds,
cause hermit crabs to flip their houses
and mermaids’ purses squirm
with potential.

From the corners of antique maps
porphyric cherubs will puff their cheeks,
enabling crested waves
to ride ashore and obliterate the ambiguous,
no matter if it’s the same
salty rhetoric from some earlier spill,
empty bellies always need to be filled
with plastic promises
guaranteed to disintegrate.

A dramatic sea change is always
best viewed from the holystoned deck
of a super yacht where the distant creatures
can be observed through vintage field glasses,
as they toil away in their slick suits
on the rusted platforms,
or dance on the waves for our pleasure,
while tepid glaciers tumble
and thunder to nothing.

Our diverse eco-system
of ingenious disarray tied to cork floats
with tarry old rope
will be enough to sustain us,
although the slack may roll around the bilges,
for some considerable time,
we will always look back
with a certain pride and gratitude
at this historic altering of latitude,
bearing in mind a bawdy sea shanty
is more than enough see us through
the squalls and lurid sunsets,
even when lashed to the mast
of an empty vessel,
we can plough on regardless
towards those unchartered prospects,
until we become as lawless
as the myth of the vast ghost ship
swallowed by the spun glass of an old sailor’s yarn.

**

 

An Ocean of Trouble

A Certain Percentage

 

They have been betrayed by an elite,
their bananas should be
turning the corner in imperial measure,
splendidly bunched together
all pomp and circumstance,
complete with grocer’s apostrophe,
somewhere between that small
parade of shops,
selling useful things like balls of string
and sherbet dabs.

They want to turn the clock back
to that blessed era
show-reeled in black and white,
when the Germans
were roundly defeated,
and no one worried about quotas
and fished wherever they liked,
mowing their lawns into stripes
at weekends after the football,
living without fear of outsiders
claiming their oxygen
and filling up backyards, schools
and hospitals with all those
inconvenient troubles
from a wider world.

Their ears have ceased listening,
their arms are folded,
opinions set in concrete,
placed in a lock up for posterity,
because there is no longer
room for difference,
other colours or another language,
only a notion of sovereignty
as obsolete as the aspidistra,
given away with plenty of free
bunting to hang out
on the occasion
of a royal wedding every quarter.

They’d rather sit inside a half-built
conservatory relying on the double-glazing
to keep out thunderbolts and plagues of locusts
as investors withdraw and steel plants close down,
because they can always see the bigger picture
on their 42 inch plasma,
nodding at each sound bite
delivered by milk-shaked gargoyles
on the make and other
official purveyors of untruths,
joining in a chorus blaming everyone else
for the mess and all the while
not really noticing how those lazy
opportunists swivel away
from policy declarations,
just saying they want No Deal
back on the table,
because sadly plain common sense
is now beyond the grasp of this small island
where populism
bloodshot with lolling tongue,
has gone bonkers
under the midday sun.

**

 

A Certain Percentage

The Cult of Sylvia

**

She haunts us still,
the tall, blonde, Diana of poetry,
who hunted for words
in the grey-lit hours,
and when her world fell apart,
with everything frayed,
none of it mended,
from despair’s bleak arc,
she plucked the firebird’s
tail feather,
and through it’s fronded
peacock’s eye,
she saw how her god-like
husband frolicked
with those orchard nymphs,
playing catch with rosy apples,
so she calmly took aim
at the face of the handsome beast,
flexing her bowstring,
to bury a golden arrowhead
in his cheek,
marking him for centuries to come.

**

 

The Cult of Sylvia

Lyric Drought

for #NationalPoetryDay

 

Not a poem to be had
anywhere in the house,
I’ve checked the oven twice,
but whatever is in there
is way too gooey and half-baked,
and might decide to evaporate,
if I open the door again.

I’ve also rummaged in vain
at the back of the cerebral larder,
disturbed the dust bunnies under the bed,
gone through all my husband’s pockets,
and found only fluff,
put an exploratory hand
between the sofa cushions,
and extracted the same stuff,
even checked the zipped compartment
of my vintage handbag bought on eBay–
nada–and the deliveroo guy
has just called to say
his front wheel has a puncture,
after my order of sonnet noodles
with haiku sides came to grief,
tumbling from its astronaut capsule,
when he turned the corner
at the traffic lights,
and now the damn seagulls
are getting a treat on my tab,
stuffing any chance
of a decent rhyme.

**

 

Lyric Drought